The Barefoot Forge

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Blacksmithing

How to finish Steel objects (Making them black and water resistant)

BlacksmithingCraig Cowan

There are many ways to get metal to darken and become water resistant- but here’s how we usually do it. We’ve tried some of the modern blackening products and methods, ranging from spray paint to powered coating- and while these are great for things that will be outside and exposed to long term weather- they lack the traditional feel and look that we like.
In our shop, we have to blacken and produce about 500 bottle openers a year for retail sale, and they need to be consistent. We also darken about 2,000 bottle openers a year in classes, using a slightly different process due to time restrictions, so we’ll start by showcasing our most refined method for production pieces.

A brief tutorial on our "Quick and Dirty" Method of Quenching and Darkening Forged Steel. We use this process to make a uniform, water resistant finish on al...

Make The Mix!

We mix a combination of beeswax, boiled linseed oil, and turpentine in a metal paint can, and apply it to warm pieces. Our ratio is measured out roughly, and it doesn’t require too much precision, since certain components burn off faster than others.
We mix a ratio of 4:2:1 Beeswax: Turpentine: Linseed Oil

Start with 4 “Red Solo Cups” full of Yellow Beeswax, put it in a disposable aluminum baking tray, and warm it in your finishing oven till liquid. We raise our own honeybees, but often need supplemental beeswax- so we purchase our beeswax off amazon here:
(2lbs is a good start and will fill a paint can about half full. 2lbs equates to 4 red cups)
We heat it at 300F, beeswax starts to liquify at about 150F and has a flash point of 400F. Do not exceed 400*F!

Keep in mind we’re measuring this out cold and accounting for SOME pore space that exists between these little pellets. We pack it into the cup tightly to reduce that space as much as possible, reducing this pore space. Melt this in a dedicated “Finishing” oven, a $50-100 Countertop Toaster Oven will do, so long as it’s capable of reaching 350*F. You’re going to ruin this oven over time due to waxy smoke, spills, etc- so we highly suggest a dedicated oven! I often buy these at garage sales or thrift stores, and routinely get a replacement once my current one is full of wax and disgusting.

Once this is melted, pour it into a NEW 1 gallon paint can. We use a can with a liner and over the years have not melted the liner. New cans are available through homedepot or amazon and cost about $10- but be sure to get a lid with it!

Add 1 “Red Solo Cup” of boiled linseed oil to your paint can full of melted beeswax. The linseed oil does a good job of darkening the piece and really sealing it in. Keep in mind, if you apply this combination of things to a piece that’s too hot- you’ll “Burn” the linseed oil resulting in a brown and inconsistent finish.
Buy a Quart, that’s a good start.
This is available through amazon, Walmart, Home Depot, or just about any local hardware store.

Add 2 “Red Solo Cup” of Pure Gum Turpentine to your mixture. This works as an emulsifying agent between the linseed oil and the beeswax, and has the most effect on the consistency of the mixture in the end. If you want a soft paste (Useful for waterproofing boots, finishing wood, or applying to metal cold!) add more Turpentine, if you want a hard brick- add less. Over time, this component burns (Smokes) out, so from time to time we will add some more turpentine to the mix once it forms a brick, heating the container with a batch of bottle openers then stirring in some turpentine while it’s all liquid.
This is also available just about anywhere- but here’s the one we use:

Now that your components are combined- stir with a paint stirrer from time to time as it cools down. It’ll take a while to cool down, but stir it until it becomes a thick gel. If you fail to stir it during this cooling down period, it tends to separate. Once it’s fully cooled- you’re ready to start using it!



Applying:

Warm your finishing oven to 350*, pack it full of the objects you wish to darken, and let it bake until they’re up to temperature. With a heavy load of steel items, our oven generally takes about 1-2 hours to get them all the way up to temperature. Once your pieces are up to temp- drop them into the paint can full of mixture, a few at a time. Make sure that the items you put in were able to fully melt down into the mixture before adding any more on top! Sometimes, you’ll pile a bunch up in there, and the bottom layer will cool down enough to sit on top or only halfway into the mix.
Once you’ve got a few in there, and they’re fully submerged, let them cool down in there for about 5 minutes- then pull them all out with a set of tongs that you don’t mind covering in goo, and place them all on piece of cardboard (Do not stack them, make sure they aren’t touching at this point). Grab a Terry Cloth towel (or Blue Shop Towel) and start rubbing them down, removing the excess wax as much as possible, being careful not to burn your hands on these pretty hot (probably still around 300F) objects. Sometimes we wear gloves for this, because honestly- its pretty easy to get burned at this stage. Depending on the temperature you started with, sometimes I like to do a second coat to get a darker finish. To do this, i’ll take these still warm pieces and put them back into the oven to again obtain a temperature of 350F. This second heating tends to oxidize the coating a bit, resulting in a darker finish. This second heating also drips flammable beeswax within the oven- so be sure to never set it above 350, and be ready for that oven to make alot of smoke! NEVER LEAVE THIS OVEN UNATTENDED, they tend to erupt in fire- especially if the door is open (Always keep the door closed!). After this second round of heating, toss them back into the mixture, let them cool for a few minutes in there, then place them back on a layer of cardboard. Once they’ve cooled down, rub them down the rest of the way with a terrycloth or blue shop towel and enjoy!
This coating will permeate the pores of the metal, bonding to the metal and forming a waxy, water resistant, “non stick” finish- much like seasoning a cast iron skillet.
The concept here is that we’re warming and opening the pores of the metal, and operating below the smoking temperature of the mixture so it can do it’s job.
Heating the objects to different tempering colors (for instance purples and blues) will be locked in by this process, excessive oxidation on the piece will also be exposed, particularly the Red colors- those will show. For production pieces, we soak our bottle openers in buckets of vinegar for a week or so, then rinse them, and wipe off all the oxidation. This process removes ALL the scale, but the result is a shiny object without enough oxide layer to darken. For these, we’ll usually toss them back in the forge for a quick heat cycle, obtaining a dull glow then allowing them to air cool- giving us an oxide layer without producing scale. Without this oxide layer- the results won’t be very dark.

^This is how we produce and finish pieces for retail, resulting in the best/most consistent finish possible. In classes or demonstrations on the other hand, we don’t have time to warm the piece to a specific and controlled temperature in an oven. For a “quick and dirty” method- we’ll cheat a little…

Quick and Dirty Method:

Take your “as forged” piece and wire wheel or wire brush it to remove as much scale and oxide as possible. HOWEVER, you do not want a perfectly clean/shiny piece- or it won’t have enough oxides on the surface to darken- resulting in a water resistant but silvery/shiny piece.
A quick round on the wire wheel is all we do for quick and dirty pieces.
Now we heat them in the forge, one or two at a time until JUST below glowing. Often times we’ll have a little bit of color showing on the thinner portions of items, but we want to get everything to a nice consistent heat, and it doesn’t need to be very hot at all- again, we’re shooting for about 350F.
Once they’re warm, we pull them out and rest them on a steel table to allow the temperatures to even out a little, any glowing areas to stop glowing, and then we quench in a bucket of Parks 50 quenching oil, stirring them around until “Most” of the heat is gone. We do this to remove temperature quickly before moving them to the beeswax mixture- hopefully at around a surface temperature of 350 or less. If you don’t have quenching oil, water would be fine for removing the temperature- just be sure you pull it out of the water and allow it to steam off the remaining water before tossing it into the beeswax mixture.
Once they’ve cooled in the beeswax (You want them to be able to pull out completely, without the beeswax sticking- just a thin liquid coating), pull them out and rest them on cardboard to cool down the rest of the way. Once fully cooled, rub the excess beeswax mixture off with a Terry Cloth or blue shop towel.

Tips:
If you’re not familiar with these blue shop towels, they’re FANTASTIC for this kind of application- as they’re rugged enough to get it done and then cheap enough to dispose of. Once coated in wax- these make great fire starters, so keep them out of your garbage can and be sure to dispose of/store them properly!

Concerns:
Keep in mind, this is now a paint can filled with highly flammable mixture. It should always be stored with a sealed lid on it, and kept in a fire proof cabinet, away from your forge and any other concerns within your shop. Apply all necessary cautions! Always keep the lid nearby when using it- so that you can throw the lid on to extinguish any flames that may be overtaking the can if you placed too hot and object in the mix. Applying the can to a hot can of the mixture WILL result in a vacuum forming inside the can, sucking the lid down and ruining the can. We also keep a standard linen hand towel around when finishing metal- as it’s a little easier to throw onto of the flaming can to extinguish any flames OR to contain any smoke (if you put an object in too hot, it’ll create a BIG cloud of smoke- which could ignite). The towel is a useful resource to have on hand, and keeps you from crushing (sucking in) your paint can if it can be avoided.

NEVER LEAVE THIS OVEN UNATTENDED, they tend to erupt in fire- especially if the door is open (Always keep the door closed!). Have a fire extinguisher ready, do this only in a well ventilated area, and be very mindful of your surroundings and actions!

Railroad Spikes- Are "HC" Spikes "High Carbon"?

BlacksmithingCraig Cowan3 Comments

…In the real world, they’re Mild steel at best and most similar in almost all material compositions (As elemental compositions other then Carbon content matter) to A36, commonly known as “mild steel”. (ASTMA36)
In conclusion, an MC Spike is slightly lower strength then steel you’d get at Home Depot, and an HC spike is VERY similar, but potentially “SLIGHTLY” stronger…….then steel from the isle in Home Depot. In the end- you’re making a mild steel/low carbon steel knife, and arguing otherwise.